Isaki Lacuesta

Spain, 2007 

A blind photographer, a city divided in two, two Japanese girls who appear in front of the camera, a Roman Cloister that hides a secret, a train ride. The images of Chris Marker are a seed so fertile that infinite histories can emerge.

“As for the idea of the composite video, you may guess I’m never against experiments. If Isaki Lacuesta wishes to pick other bits and pieces from other films, let it be, I practice enough piracy myself to enjoy being pirated.” (Chris Marker in a letter sent to Intermedio, 2007).